Antique Fuchsia 🎨 RGB Color Code: #915C83
The hexadecimal RGB code of Antique Fuchsia color is #915C83. This code is composed of a hexadecimal 91 red (145/256), a 5C green (92/256) and a 83 blue component (131/256). The decimal RGB color code is rgb(145,92,131). Closest WebSafe color: French lilac (#996699)
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Antique Fuchsia on Wikipedia
was in 1925. Displayed at right is the color antique fuchsia. The first recorded use of antique fuchsia as a color name in English was in 1928. The source
Amethyst Amethyst (Crayola) Android green Antique brass Antique bronze Antique fuchsia Antique ruby Antique white Apricot Aqua Aquamarine Aquamarine (Crayola)
Google Antique brass #CD9575 80% 58% 46% 22° 47% 63% 43% 80% Crayola Antique bronze #665D1E 40% 36% 12% 53° 55% 26% 71% 40% ISCC-NBS Antique fuchsia #915C83
Antiques Roadshow is a British television programme broadcast by the BBC in which antiques appraisers travel to various regions of the United Kingdom (and
"Purple Mountain Majesty" and "Purple Mountain's Majesty." No No No Yes Fuchsia #C154C1 1990–present No No No No Pink Flamingo #FC74FD 1997–present No
Spring Green, 180° Aqua / Cyan, 195° Deep Sky Blue, 240° Blue, 300° Fuchsia / Magenta 25%/65% 0° Rosy Brown, 120° Dark Sea Green 59–60%/65% 260°
discovers David might be the owner of a rare, potentially prize-winning fuchsia, and turns to Blaketon and Ventress for help when the plant suddenly disappears
standard name) and cyan (common sRGB name), magenta (common sRGB name) and fuchsia (HTML4/CSS 1.0 standard name), gray (HTML4/CSS 1.0 standard name) and grey
Pairpoint Grape Tiffin Glass Company Cadena Cherokee Rose Classic Flanders Fuchsia June June Night Mt. Vernon Companies and artists that designed acid etching
the singers sang the song wearing 1930s long gowns, with Halliwell in a fuchsia satin number and Chisholm dressed in black. "Headlines (Friendship Never
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There are many ways to mix/generate a color. Computer screens display the required color mixing tiny red, green and blue lights (RGB). Turning off all three components results in a black pixel, while if all components are lit up on full brightness that results a white light.
In print we use cyan, yellow, magenta and black (CMYK) inks because usually we print on a white paper. In this case the lack of the ink will result white paper, and we get a dark shade if more colors are mixed together. We can also define a color by hue, saturation and value (HSV).