Lilac Luster 🎨 RGB Color Code: #AE98AA
The hexadecimal RGB code of Lilac Luster color is #AE98AA. This code is composed of a hexadecimal AE red (174/256), a 98 green (152/256) and a AA blue component (170/256). The decimal RGB color code is rgb(174,152,170). Closest WebSafe color: Manatee (#999999)
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Lilac Luster on Wikipedia
Light salmon pink Light sea green Light silver Light Thulian pink Lilac Lilac Luster Lime (color wheel) Lime (web) (X11 green) Lime green Limerick Lincoln
#FFFFE0 100% 100% 88% 60° 100% 94% 12% 100% Lilac #C8A2C8 78% 64% 78% 300° 26% 71% 19% 78% Lilac Luster #AE98AA 68% 60% 67% 311° 12% 64% 13% 68% Lime
Glossy Grape Granite Gray #AD6F69 #2E2D88 #AB92B3 #676767 Green Sheen Lilac Luster Misty Moss Mystic Maroon #6EAEA1 #AE98AA #BBB477 #AD4379 Pearly Purple
appearance. Charoite is translucent lavender to purple in color with a pearly luster. Charoite is strictly massive in nature, and fractures are conchoidal. It
Chocolate, Lilac) Blue-Eyed White Red-Eyed White Broken Group Broken Colored Group Chestnut Chocolate Agouti Chocolate Chinchilla Chinchilla Copper Lilac Chinchilla
or a Satin sheen, though this should not be confused with the natural luster of some varieties. The ears are to be drooping but not fallen, and the eyes
although samples are often deeply colored owing to impurities; Purple, lilac, golden-yellow, green, blue, pink, champagne, brown. Crystal habit Well-formed
Identification Color Colorless, white, pale yellow, pale brown, faintly pink, lilac-rose Crystal habit Usually massive, rarely as rhombohedrons or hexagonal
Lepidolite is a lilac-gray or rose-colored member of the mica group of minerals with chemical formula K(Li,Al)3(Al,Si,Rb)4O10(F,OH)2. It is the most abundant
refractive index is high at 2.15–2.18 (compared to 2.42 for diamonds) and its luster is vitreous. Its dispersion is very high at 0.058–0.066, exceeding that
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There are many ways to mix/generate a color. Computer screens display the required color mixing tiny red, green and blue lights (RGB). Turning off all three components results in a black pixel, while if all components are lit up on full brightness that results a white light.
In print we use cyan, yellow, magenta and black (CMYK) inks because usually we print on a white paper. In this case the lack of the ink will result white paper, and we get a dark shade if more colors are mixed together. We can also define a color by hue, saturation and value (HSV).
