Alizarin Crimson 🎨 RGB Color Code: #E32636
The hexadecimal RGB code of Alizarin Crimson color is #E32636. This code is composed of a hexadecimal E3 red (227/256), a 26 green (38/256) and a 36 blue component (54/256). The decimal RGB color code is rgb(227,38,54). Closest WebSafe color: Persian red (#CC3333)
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Shades & Tints
Alizarin Crimson on Wikipedia
Alizarin crimson is a shade of red that is biased slightly more towards purple than towards orange on the color wheel and has a blue undertone. It is named
Alizarin crimson may refer to: Alizarin crimson (color), a particular shade of red Alizarin, a paint pigment Rose madder This disambiguation page lists
synthetically. Alizarin is the main ingredient for the manufacture of the madder lake pigments known to painters as rose madder and alizarin crimson. Alizarin in
and Carl Liebermann and replaced the natural pigment madder lake. Alizarin crimson is a dye bonded onto alum which is then used as a pigment and mixed
cochineal in manuscripts was replaced by Spanish dyes like minium and alizarin crimson. The image of Moctezuma's death (seen to the right) uses both indigenous
dye and pigment colours: Prussian blue, scarlet, crimson, Havana lake, rose carmethene, alizarin crimson and carmine. According to Billboard, the single
France. Pierre-Auguste Renoir’s later paintings relied heavily on alizarin crimson. He also employed cobalt blue or a mixture of ultramarine and cobalt
fine art market. Alizarin's chemical composition: 1,2 dihydroxyanthraquinone (C14H8O4) Alizarin crimson, a paint very similar in color to
lake, originally from the root of the madder plant, is also known as alizarin crimson in its synthetic form. Since rose madder is fugitive when exposed to
Shroud and the Great God Capricorn. Her nemesis is beautiful but evil Alizarin Crimson. Nightveil is sometimes referred to as the Mystic Maid. In live appearances
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There are many ways to mix/generate a color. Computer screens display the required color mixing tiny red, green and blue lights (RGB). Turning off all three components results in a black pixel, while if all components are lit up on full brightness that results a white light.
In print we use cyan, yellow, magenta and black (CMYK) inks because usually we print on a white paper. In this case the lack of the ink will result white paper, and we get a dark shade if more colors are mixed together. We can also define a color by hue, saturation and value (HSV).