Ultramarine Blue 🎨 RGB Color Code: #4166F5
The hexadecimal RGB code of Ultramarine Blue color is #4166F5. This code is composed of a hexadecimal 41 red (65/256), a 66 green (102/256) and a F5 blue component (245/256). The decimal RGB color code is rgb(65,102,245). Closest WebSafe color: Ultramarine blue (#3366FF)
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Ultramarine Blue on Wikipedia
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. Its lengthy grinding and washing process makes
cobalt blue as a good substitution for ultramarine for painting skies, writing in his "List of Colours" from 1818: "Used as a substitute for ultramarine in
was ground into powder and made into ultramarine, the finest and most expensive of all blue pigments. Ultramarine was used by some of the most important
the pigment ultramarine, the most expensive of all pigments. In the eighth century Chinese artists used cobalt blue to colour fine blue and white porcelain
earliest blue pigment was lapis lazuli from mines in Afghanistan, that was refined into the pigment ultramarine. Since the late 18th and 19th century, blue pigments
Klein Blue (IKB) is a deep blue hue first mixed by the French artist Yves Klein. IKB's visual impact comes from its heavy reliance on ultramarine, as well
Used during laundering, it adds a trace of blue dye (often synthetic ultramarine, sometimes Prussian blue) to the fabric. White fabrics acquire a slight
the insignia of the Quartermaster Corps over the numerals "380" in ultramarine blue, these being the named colors of the branch. Headquarters companies
the ultramarine blue of Virgin Mary's robes to balance the red and blue, and to harmonize with the rest of the picture. Titian used an ultramarine sky
Marian blue is a tone of the color ultramarine named for its use with the Virgin Mary. In paintings, Mary is traditionally portrayed in blue. This tradition
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There are many ways to mix/generate a color. Computer screens display the required color mixing tiny red, green and blue lights (RGB). Turning off all three components results in a black pixel, while if all components are lit up on full brightness that results a white light.
In print we use cyan, yellow, magenta and black (CMYK) inks because usually we print on a white paper. In this case the lack of the ink will result white paper, and we get a dark shade if more colors are mixed together. We can also define a color by hue, saturation and value (HSV).
